of flesh and terra
the dead can dance too, a moving-image essay, borrows estefânia’s imagined voice to describe and think about my process of (re)search for belonging. it depicts two different phases: one in which i focused on terra as container of traces and memories, another in which i used my body as a means to connect with and look for. the impact of (the making of) images in memory creation and remembrance is also considered.
anatomy of a memory, a mixed-media installation, reconstructs some of the moments depicted in the dead can dance too. as i used my body to imagine belonging, i created a memory of having belonged. we often think back to a particular event as an integrated unit. however, our brain treats its components—what we see, feel, smell, and hear—as single elements. here, i deconstruct my memory of having belonged to rehearse and repeatedly activate that memory and thus make it solider. it is also a way to make belonging slightly more tangible, by recognizing how simple some of its ingredients can be. you are invited to reflect on your own memory of belonging, or, perhaps, to start constructing it using my own contraptions, right here, at this precise moment in time.
the dead can dance too
anatomy of a memory